The challenge is to propose a scenography inside the pavilion that addresses a strong subject with the help of an artistic work by any artist. So I made the choice to do it around the sculptures created by 'Feipel and Bechameil' which represent the modernist utopian architecture of the 1950s through the 1970s, specifically on the social housing projects of that period.

The scenography does not rebuild what was lost.
It listens to it.
It lets the sculptures speak in pauses and shadows,
where the optimism of yesterday meets the fragile beauty of disillusion.

In this dialogue of forms and voids, the pavilion becomes both vessel and witness,
a poetic space where ideals fracture into meaning,
and where the dream of architecture finally learns to feel.